For my group’s final project, we decided to do a children’s storybook. Our storybook is titled What’s Happening to Wallace?
Before coming up with the idea, my team brainstormed for several other ideas for the content of the book. We wanted to create a self-help book, yet stay on track and fit the theme of culture. Some of our ideas include a book that serves to inform children about divorce, and hence help children whose parents are divorced deal with their situations. Another idea we had was on the theme bullying and how children should stand up against bullying. The idea that we finally decided upon was about puberty. Since the children’s storybook is targeted at children aged 7-9 years old, our book serves to inform them about some of the bodily changes they are going to encounter in a few years’ time.
A Little About this Book
The story tells of a typical day in Wallace bear’s life. He wakes up, brushes his teeth, changes his clothes, ate his breakfast and went to school. What’s different is that he find lots of physical changes in his body. These are actually signals of him growing up (the bodily changes one undergoes during the puberty stage). Oblivious to this, Wallace feels out of place, isolated and helpless because he thinks he’s a monster when he’s shunned by his friends in school. Upon careful explanation by his parents, Wallace comes to understand that this process is natural and there’s nothing to be afraid or ashamed about.
Developing the sketches






These were the very first sketches we came up with for the general outline of the story, the placing of the characters and text. Later on in the developmental process, we took one of the scenes, the bathroom scene as we feel that the story doesn’t flow as smoothly as there has to be a transition from home to school and school to home again.
Developing the final prototype
In illustrating our final prototype, we faced difficulty in coming up with the main character Wallace as we wanted the character to look like a monster, yet remain cute. We drew inspirations from various children’s storybooks on how Wallace should look like. Our greatest inspiration was from the famous children’s storybook, The Gruffalo. The following are just some of the numerous attempts we had in drawing monster Wallace.

Eventually we decided on using a bear because a bear can be both a man-eating monster or a cute cuddly companion. We wanted to bring across the point that being a monster is all but an exaggerated form of imagination on the children’s part. Being overly self-conscious will result in these inferior complexes.
Finally, evolution of Wallace!

We also explored various colour schemes for Wallace before finally deciding on one.

While drawing the illustrations, we also incorporated some of the design principles we learned in class. The following are two examples, one being the 3X3 grid and the other the Fibonacci Spiral.


The Final Prototype
Here are thumbnails of the final storybook! I love this book so much because my group and I really put so much effort into it! We each got a book for ourselves and I can’t stop flipping through the book. :)
Reflection
Time was really a huge factor in the creation of this storybook. Despite devoting at least 15 hours a week (per person!) to this project, we barely made it in time to send the book for printing. We must be one of the most overzealous groups!
This project really took up the bulk of my time these past weeks but I’ll say it’s definitely worth it! It gave me tremendous practice on Adobe Photoshop and also hand-drawn illustrations. I never thought I could draw well enough to illustrate a book but because I drew the final Wallace, the same person has to draw most of the illustrations to maintain consistency.
Of course, the final project is not all just the storybook. There’s also the 20-page (horror!) design document and the presentation to prepare for. I think our design document is really well done! For our presentation, we incorporated a mini-skit as we felt that 7 minutes is just not enough to convey all our thoughts and developmental processes so we cut it to a skit that summarises the main points.
Lastly, if my project group mates are reading this, thank you guys so much for working so hard the past few weeks! :)









Initially, I wasn’t really sure about what youth theme meant. Does it refer to events for youths? Within a week (to the critique session), I could only think of the upcoming Youth Olympic Games. Hence I created a series of postcards that features a diver and a quote about Excellence (one of the YOG values).
And here’s the front and back of my first attempt at creating a postcard.
Here’s what I sketched out. It’s the silloutte of an undergraduate made up of other smaller things. They include academic stuff like a briefcase, notebook and pencils, sporting equipment such as a volleyball, rugby and whistle, and arts and cultural tools like a paintbrush and palette and piano keys.





My first photo story is about a guy who had supernatural experiences in a lift. The first frame shows him pressing for the lift. The second frame shows him entering the lift at level one. Following which, after he enters the lift, he presses the button to go to the 3rd storey, but when the door reopens, he’s on level 444! Bewildered, he looks out and he sees nothing but smoke. And when he returns to the lift, there is actually a ghost behind him.















Here’s a pictogram I found online when I was searching for pictograms of fridges. This is a fridge magnet and I’m not too sure what it serves to inform.
During the critique session, it was brought up that the abstraction process is not smooth because I reduced the number of bottles from 3 to 2 but then to 5 again. The process of abstraction should involve simplification to the bare minimum to bring out the focus.
o the stick figure in the pictogram.
A burglar mask? Slanted eyes looking over the shoulder? An alarm in the background? A coat? A guilty expression? A bag over the shoulder for the stolen loot?
















I could adopt such a style of drawing the rose, using mainly pencil lines and shading to create a more realistic look for the rose flower. The look of the portrait may be grainy or generally soft. However, as what I had in mind was a dark setting, I searched for other styles.
We learned in lecture that although the shapes are discontinuous, the close proximity and the similarity in colours and shapes lead viewers to think that it belongs to a whole. I decided to adopt this style of creating the rose in my work and apply strong, bright colours to bring out its essence admist a darker background. Some shading may be applied to make the image look less ‘flat’.
First, I scanned in my rough sketch and traced it using Adobe Photoshop. Then I applied Live Trace to remove unwanted gray lines and to smoothen my tracing.
To create a cracked ground, I followed an online Photoshop tutorial that teaches how to create the cracked ground effect. First, I drew some lines of varying thickness using thick and thin brushes. Then I selected the entire layer, and changed its “perspective” so that it looks like the ground.
For the skies, I created a seperate layer and added in some clouds. (Render – Clouds) to give it a gloomy feel.

